Comedies, Histories, and Tragedies. Published according to the true originall copies. The second impression. London: by Tho. Cotes, for Robert Allot, 1632
SECOND FOLIO, FIRST ISSUE, FIRST STATE OF THE IMPRINT [Todd 1a]. This is the second edition of Shakespeare’s collected plays, “incomparably the greatest work in the English language” (Jackson, Pforzheimer Catalogue).
BEECHER FAMILY ,portraits
Magnificent Beecher Family Photograph Collection. Various places, 1850s-1880s
This collection comprises an important ambrotype group portrait of the family by Brady Studios, a fine Brady salt print portrait of Lyman Beecher, a hand-colored photograph of Mrs. Henry Ward Beecher as a young lady, and a signed cabinet card photograph of Harriet Beecher Stowe.
The collection: $42,000
Dracula. Westminster: Constable, 1897
FIRST EDITION, FIRST ISSUE (without ads as required). “Dracula remains the definitive treatment of the classical vampire, a work of great imagination and conviction . . . it is one of the great classics of supernatural fiction” (Bleiler).
Tragediae Septem cum commentariis. (Edited by Aldus Manutius and John Gregoropoulos). Venice: Aldus Manutius, August, 1502
Editio princeps of the seven surviving complete plays of Sophocles, the greatest of the Greek tragedians. This volume contains the first printing of Oedipus Rex, generally considered the greatest Greek tragedy.
LONGFELLOW ,HENRY WADSWORTH
Early Draft Autograph Manuscript of “Excelsior,” incorporated into an Autograph Letter Signed to Samuel Cutler Ward (“My dear Excelsior”).. Cambridge, 30 September 1841
In this outstanding literary letter, Longfellow writes in full and sends an early draft of his beloved poem “Excelsior,” commenting on its meaning and significance and writing out all thirty-six lines.
TWAIN ,MARK. (CLEMENS, SAMUEL L.)
A collection documenting the early life of Samuel Clemens and his family in Iowa. Various places, mainly Iowa, 1850s-1880s
This unique collection of photographs, books, letters, and other objects is from the Creel family, Samuel Clemens’s relations on his mother’s side. One highlight of the collection is the charming ambrotype portrait of young Ella Creel, one of Sam’s “favorite companions” and a “one-time sweetheart.”
Leaves of Grass.. Camden, 1876. [and]
This set of the privately-published author’s edition, is inscribed by Whitman in each volume: “Godfrey Lushington from the author.”