(SAN FRANCISCO.) Muybridge ,Eadweard
Panorama of San Francisco from California St. Hill. San Francisco: Morse’s Gallery, 1877
“One of the supreme conceptual and technical achievements in the history of architectural photography.” – David Harris
This iconic, 7-foot long image of San Francisco is one of the landmarks of 19th-century American photography. “The photographs show the extraordinary extent of a city that had come into existence a mere thirty years before and which would be destroyed by earthquake and subsequent fires thirty years later” (Getty Museum Journal). Seamlessly combining a series of eleven photographs, Muybridge created a 360 degree view of the city, producing what Rebecca Solnit calls “an impossible sight, a vision of the city in all directions, a transformation of a circular space into a linear photograph.”
(BRADY, MATHEW Studio) Seward, Chase, Fessenden, and Stanton
Collection of Photographs of Abraham Lincoln’s Cabinet: a “Team of Rivals”. New York and Washington: Brady Studio, c. 1860
This is a splendid collection of Brady Imperial portraits of Lincoln’s most important cabinet members, the famed “Team of Rivals.”
Four photographs as a collection: $45,000
“There is no actual harm in making Niagara a background whereon to display one’s marvelous insignificance in a good strong light, but it requires a sort of superhuman self-complacency to enable one to do it.” – Mark TwainNIAGARA FALLS, New York
An album of 20 excellent views of Niagara Falls. Niagara Falls, New York, compiled in 1867
An outstanding album containing beautiful and unusual images including, as its final image, one of the most remarkable North American photographs of the period.
CURTIS, EDWARD S
Dog Woman – Cheyenne (plate no. 668, Vol. 19). Curtis, c. 1930
This stunning glass photograph, Dog Woman – Cheyenne (plate no. 668), was prepared for the printing of Curtis’s The North American Indian. The glass interpositive is a rare survival used for publication of Curtis’s monumental work.
“Take a good look. We’re not going to see this kind of thing much longer. It already belongs to the past.” – George Bird Grinnell to Edward CurtisCURTIS ,EDWARD S.
Original glass plate photograph, Hopi Woman, prepared by Curtis for the printing of The North American Indian.. This portrait, titled Hopi Woman, was published as a photogravure in The North American Indian, volume 12, plate 411.,
This is a splendid original glass plate made for Curtis’s The North American Indian, the greatest photographic work on Native Americans.
WEED, CHARLES LEANDER
The Original Big Tree, 32 feet diameter. Charles Weed, 1864
Mammoth albumen print (15 ½ x 20 in.), mounted.
(APOLLO 11.) Armstrong, Neil
Photograph of Buzz Aldrin standing on the moon with the American flag and the lunar module, signed on the mount by all three crew members: Armstrong, Aldrin, and Collins and additionally inscribed “For Peggy and Bill Burden with Best Wishes from Apollo Eleven.”. NASA, July 20, 1969
This classic space photograph is signed by the crew of Apollo 11, the first manned mission to the Moon: Neil Armstrong (commander), Buzz Aldrin (lunar module pilot), and Michael Collins (command module pilot) and further inscribed to William A. M. and Peggy Burden. This famous Armstrong photograph of Aldrin, standing on the moon’s surface with the United States flag, is NASA AS11-40-5875.
(WHITMAN, WALT.) George C. Cox
An enormous platinum or bromide photograph after the original portrait photograph by George C. Cox. New York, 1887, printed ca. 1890s-1910s
A SPECTACULAR PHOTOGRAPH OF WHITMAN IN OLD AGE. This famous portrait was taken in George Cox’s New York studio in April 1887. Whitman was celebrating the success of his lecture on Lincoln, delivered on the same visit to the city.