(LINCOLN, ABRAHAM.) Whipple, J. A.
Photograph portrait of Lincoln and his sons Willie and Tad at their home in Springfield, Illinois.. Boston: J. A. Whipple, Summer 1860
Abraham Lincoln at his home in Springfield. “Lincoln stands on the terrace of the only house he ever owned. He called it his ‘little brown cottage’ and bought it for $1500 in 1844 from the Reverend Charles Dresser, an Episcopal rector who had married the Lincolns in 1842. Here Lincoln’s sons Eddie, Willie, and Tad were born, and here he was living when elected President” (Ostendorf). Lincoln stands with his sons Willie and Tad, who is barely visible behind a post.
(LINCOLN ,ABRAHAM.) Gardner, Alexander
Photograph of the execution of the Lincoln assassination conspirators. Washington, 7 July 1865
The hanging of the Lincoln assassination conspirators.
(APOLLO 11.) Armstrong, Neil
Photograph of Buzz Aldrin standing on the moon with the American flag and the lunar module, signed by all three crew members: Armstrong, Aldrin, and Collins. NASA, 1969
A CLASSIC SPACE PHOTOGRAPH, signed by the crew of Apollo 11, the first manned mission to the Moon: Neil Armstrong (commander), Buzz Aldrin (lunar module pilot), and Michael Collins (command module pilot).
(BENJAMIN, JUDAH P.) Mathew Brady Studio.
Judah P. Benjamin. [New York: Mathew Brady Studio, late 1850s.]
This is a splendid hand-colored Brady Imperial salt print of one of the great figures in American Jewish history.
“His most frequent and favourite sitter was Alexandra Kitchin, better known by her pet name of ‘Xie.’” — TaylorDODGSON, CHARLES LUTWIDGE [LEWIS CARROLL]
Photograph of Alexandra “Xie” Kitchin. C. L. Dodgson, 5 July 1870
A splendid example of Dodgson’s photography.
BRADY, MATHEW Studio
Collection of six photographs made in Harpers Ferry in July 1862. New York: Mathew Brady Studio, 1862
Mathew Brady sent these six photographs to a New York newspaper following the September 1862 capture of Harpers Ferry to promote his series of photographs, “Brady’s Incidents of the War.” Each is captioned in a contemporary hand in blue pencil, typical for nineteenth-century newspaper editors, and the group of accompanied by a contemporary wrapper identifying the collection in the same hand.
China Monumentis. illustrata.. Amsterdam: Jansson, 1667.
FIRST EDITION. One of the grandest and most important works on China up to its time, Kircher’s China Illustrata (China, Illustrated Through Its Monuments, Both Sacred and Profane) inaugurated the late 17th-century age of European fascination with China.