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    (English) Nine Stories. Boston: Little Brown, 1953

    FIRST EDITION. Advance review copy with publisher’s slip giving the date of publication.
    This is a beautiful copy of what many consider Salinger’s most important book. This landmark collection of short stories includes “A Perfect Day for Bananafish,” “For Esmé with Love and Squalor,” and “The Laughing Man.”



    (English) Democratic Vistas. Washington, D.C: [Printed for J. S. Redfield, New York], 1871

    FIRST EDITION. One of about 500 copies.



    (English) Chicago Poems. New York: Henry Holt, 1916

    FIRST EDITION. Presentation copy inscribed by Sandburg: “Anna Proctor – fellow Scandinavian – here is ‘skoal’ – Carl Sandburg Detroit, April, 1922.” [with:] SANDBURG, CARL. “Fog” Autograph Manuscript.



    (English) The Psychological Portrait: Marcel Sternberger’s Revelations in Photography. Foreword by Phillip Prodger.. New York: Skira Rizzoli, 2016

    First edition, one of 100 copies of the Deluxe Estate Edition, signed and numbered by the author and accompanied by your choice of one of four 8 x 10 inch archival pigment photographs (Einstein, Freud, Shaw, or Kahlo).



    (English) Autograph Manuscript Signed from the Anna Livia Plurabelle Section of Finnegans Wake. Paris, October 6, 1930

    JAMES JOYCE EXPERIMENTS WITH FINNEGANS WAKE. In this splendid manuscript Joyce improvises on key lines from the melodic “Anna Livia Plurabelle” chapter of what became Finnegans Wake. ALP, as he called it, was the author’s favorite chapter and the most-published and best-loved section of the book. Joyce selected this passage to begin his famous 1929 recording.

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    (English) “Robert Burns” Autograph Manuscript. no place, c. 1880

    In this fine, partly unpublished manuscript, Longfellow celebrates the poet Robert Burns, beginning, “I see amid the fields of Ayr / A ploughman, who, in foul and fair / Sings at his task.”

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    (English) “By the St. Lawrence,” Autograph manuscript signed. No place, Prob. March 1995

    A MAJOR LATE AUTOBIOGRAPHICAL SHORT STORY. In this heavily revised manuscript story, Bellow revisits the scenes of his immigrant childhood and reflects on the nature of memory and loss. The story, with important changes from the present manuscript, was published in Esquire (1995) and then in Bellow’s Collected Stories (2001). A reviewer of the latter book observed, “the volume opens with the most recent piece, “By the St Lawrence,” which becomes a kind of retrospective manifesto for the characteristic forms and themes of Bellow’s stories as a whole” (Christopher Tayler, The Telegraph).

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