“His most frequent and favourite sitter was Alexandra Kitchin, better known by her pet name of ‘Xie.’” — TaylorDODGSON, CHARLES LUTWIDGE [LEWIS CARROLL]
(English) Photograph of Alexandra “Xie” Kitchin. C. L. Dodgson, 5 July 1870
A splendid example of Dodgson’s photography.
(TWAIN, MARK, ANDREW CARNEGIE, THOMAS EDISON, et al.)
(English) Engineers Club Inaugural Banquet Commemorative of the Opening of the New Club House on which occasion Mr. Andrew Carnegie will be the guest of honor Monday, the ninth of December 1907. [New York: Engineer's Club], 
Signed by Mark Twain, Thomas Edison, and Andrew Carnegie (who has signed twice), and others. This event commemorated the opening of the Engineers Club’s fabulous new home at 32 West 40th Street on Bryant Park in New York.
Moore, N. A. and R. A.
(English) A collection of all six portraits of the last surviving veterans of the American Revolution. Hartford: Moore, 1864
These is a complete collection of original carte de visite photographs of all six Revolutionary War veterans still surviving in 1864: William Hutchings (aged 100), Samuel Downing (aged 102), Daniel Waldo (aged 102), Adam Link (aged 102), Alexander Millener (aka Muroney) (aged 104), and Lemuel Cook (aged 105). A seventh man, James Barham, was believed to be alive but could not be located for the series.
(PERRY, MATTHEW CALBRAITH, Commodore.) Mathew Brady Studio
(English) Commodore Matthew C. Perry, three-quarter length portrait, in uniform, his left hand resting on his sword. New York: Mathew Brady Studio, c. 1854-58
This is the splendid Perry Family hand-colored Imperial print of Mathew Brady’s portrait of Commodore Perry. Brady coined the term “imperial’ for his large photographic portraits intended to rival mezzotints and lithographs in size.
APOLLO 11 ,crew signed
Photograph of a television screen, split, one side with Nixon on the phone and the other with Armstrong and Aldrin on moon. No place, 1969
Signed by Nixon, Collins, Aldrin (adding “We came in peace for all mankind Apollo 11”) and Armstrong (“To Claude Harkins with best wishes Neil Armstrong”).
(VALENTINE, DAVID T.) Mathew Brady Studio
(English) David T. Valentine. New York and Washington: Brady Studio, c. late 1850s
This is a delightful Brady Imperial salt print portrait of one of the fascinating political and literary characters of mid-nineteenth-century New York, David T. Valentine.
(English) Stumbling Bear, Kiowa Chief. Fort Sill, Indian Territory, c. 1869-74
Photographer Will Soule arrived at Fort Sill in Indian Territory in late 1869 or early 1870. Fort Sill was then a military headquarters and agency for several Indian tribes, including the Kiowa. Before returning to Boston in 1874, Soule made an important series of Native American portraits, including this charismatic image of Chief Stumbling Bear.
(VANDERBILT, CORNELIUS, “Commodore.”) Mathew Brady Studio, attrib
(English) Cornelius Vanderbilt, vignetted standing portrait. [New York: Mathew Brady Studio, 1860s.]
Founder of the Vanderbilt business dynasty, Cornelius Vanderbilt made his fortune first in steamships and shipping and then in railroads. His career spanned the birth of the steamship and the development of the great American railroad networks. He was “the oldest and perhaps the greatest of the nineteenth-century railroad barons” (ANB). Grand Central Station and Vanderbilt University stand as testaments to his influence and wealth.
(WISE, HENRY.) Mathew Brady Studio
(English) Henry A. Wise. New York and Washington: Brady Studio, c. late 1850s
This is a dramatic full-length standing salt print portrait of Gov. Henry A. Wise by Mathew Brady.