China Photographic Masterworks: The most valuable collection of masterpieces of the golden age of Chinese photography in private hands(China ,Photography)
Early Photography of China Collection: A highly important collection in development.. Various places, 1850s-1930s
The most valuable collection of early China photography in private hands, the Early Photography of China Collection includes the greatest masterworks of China photography by the foremost photographers working in China in the nineteenth century and the first quarter of the 20th century. The collection has been assembled over the course of many years, and we continue to expand and refine it as worthy photographs and archives become available. This collection, unrivaled in quality and extent in private hands, provides a unique opportunity to own one of the greatest collections of Chinese photography extant. We are eager to acquire important China photographs, from individual objects to albums and collections. We invite you to contact us.
Collection in development
“The books of Francis Frith inaugurated the first golden age of albumen-silver photographic illustration” — The Truthful LensFRITH ,FRANCIS
Photographs of the Holy Land comprising the following volumes: [I:] Sinai and Palestine; [II:] Lower Egypt, Thebes, and the Pyramids; [III:] Upper Egypt and Ethiopia.. London, Glasgow, and Edinburgh: William MacKenzie, 
A handsome set of Frith’s photographs. This edition’s gold-toned photographs are preferred over the earlier editions for their “stronger quality” (Gernsheim).
King of Siam’s State Barge. Bangkok, c. 1865
This is a magnificent two-panel view of the king’s barge on the water, with dozens of oarsmen ready to put their paddles in to the water. The king’s ornate covered throne is at the rear of the vessel. The riverbank in the background is crowded with low thatched roof buildings.
China Monumentis. Illustrata.. Amsterdam: Jansson, 1667.
FIRST EDITION. One of the grandest and most important works on China up to its time, Kircher’s China Illustrata (China, Illustrated Through Its Monuments, Both Sacred and Profane) inaugurated the late 17th-century age of European fascination with China.
(PERRY, MATTHEW CALBRAITH, Commodore.) Mathew Brady Studio
Commodore Matthew C. Perry, three-quarter length portrait, in uniform, his left hand resting on his sword. New York: Mathew Brady Studio, c. 1854-58
This is the splendid Perry Family hand-colored Imperial print of Mathew Brady’s portrait of Commodore Perry. Brady coined the term “imperial’ for his large photographic portraits intended to rival mezzotints and lithographs in size.
The History Of The Great And Renowned Monarchy Of China. London: E. Tyler for John Crook, 1655
FIRST EDITION IN ENGLISH OF THIS FAMOUS HISTORY OF CHINA. A splendid Jewish-American association copy from the library of Joseph Solomon Ottolenghe.
White Elephant of the King. Siam, 1865
This remarkable photograph shows “one of twelve white elephants belonging to King Mongkut. The ‘white’ elephants are really reddish-brown with pale eyelashes and toenails. Male white elephants were regarded with high esteem and were adorned with elaborate costumes. The photograph shows the mahout, wearing a distinctive conical hat, training the elephant to kneel; he is using an elephant control stick with a hook (an ankusa). A boy stands by the head of the elephant, several other elephant carers sit on the right with ropes and a parasol, and a large group of onlookers sit on the left. The walls of the Grand Palace are seen behind” (Wellcome Institute Library).
Angkor Wat. Angkor, c. 1866-1873
A splendid view of Angkor Wat with deep, rich tones. Émile Gsell accompanied de Lagrée on his expedition to Angkor, where he made a series of dramatic photographs only a few months after John Thomson’s expedition. The French photographer Gsell became the first commercial photographer based in Saigon in 1866. He returned to Angkor in 1873 with the famous expedition led by Louis Delaporte.