(SAN FRANCISCO.) Muybridge ,Eadweard
Panorama of San Francisco from California St. Hill. San Francisco: Morse’s Gallery, 1877
“One of the supreme conceptual and technical achievements in the history of architectural photography.” – David Harris
This iconic, 7-foot long image of San Francisco is one of the landmarks of 19th-century American photography. “The photographs show the extraordinary extent of a city that had come into existence a mere thirty years before and which would be destroyed by earthquake and subsequent fires thirty years later” (Getty Museum Journal). Seamlessly combining a series of eleven photographs, Muybridge created a 360 degree view of the city, producing what Rebecca Solnit calls “an impossible sight, a vision of the city in all directions, a transformation of a circular space into a linear photograph.”
(BRADY, MATHEW Studio) Seward, Chase, Fessenden, and Stanton
Collection of Photographs of Abraham Lincoln’s Cabinet: a “Team of Rivals”. New York and Washington: Brady Studio, c. 1860
This is a splendid collection of Brady Imperial portraits of Lincoln’s most important cabinet members, the famed “Team of Rivals.”
Four photographs as a collection: $45,000
CURTIS, EDWARD S
Dog Woman – Cheyenne (plate no. 668, Vol. 19). Curtis, c. 1930
This stunning glass photograph, Dog Woman – Cheyenne (plate no. 668), was prepared for the printing of Curtis’s The North American Indian. The glass interpositive is a rare survival used for publication of Curtis’s monumental work.
“Take a good look. We’re not going to see this kind of thing much longer. It already belongs to the past.” – George Bird Grinnell to Edward CurtisCURTIS ,EDWARD S.
Original glass plate photograph, Hopi Woman, prepared by Curtis for the printing of The North American Indian.. This portrait, titled Hopi Woman, was published as a photogravure in The North American Indian, volume 12, plate 411.,
This is a splendid original glass plate made for Curtis’s The North American Indian, the greatest photographic work on Native Americans.
WEED, CHARLES LEANDER
The Original Big Tree, 32 feet diameter. Charles Weed, 1864
Mammoth albumen print (15 ½ x 20 in.), mounted.
“There is no actual harm in making Niagara a background whereon to display one’s marvelous insignificance in a good strong light, but it requires a sort of superhuman self-complacency to enable one to do it.” – Mark TwainNIAGARA FALLS, New York
An album of 20 excellent views of Niagara Falls. Niagara Falls, New York, compiled in 1867
An outstanding album containing beautiful and unusual images including, as its final image, one of the most remarkable North American photographs of the period.
King of Siam’s State Barge. Bangkok, c. 1865
This is a magnificent two-panel view of the king’s barge on the water, with dozens of oarsmen ready to put their paddles in to the water. The king’s ornate covered throne is at the rear of the vessel. The riverbank in the background is crowded with low thatched roof buildings.
Photographic album of Gothic architecture and proposed designs for the Royal Courts of Justice, London. Various places, 1868-70
This splendid album contains 120 fine medium and large format photographs of Gothic and High Victorian Gothic architecture.