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(AFRICAN AMERICAN.)
Black woman with white child. No place, c. 1870-90
This delightful photograph shows a kind-looking young black woman sitting with a somewhat sour-looking young white child. Both are finely dressed for the occasion, the woman in an elegant dress with lace collar and the child in a dress with an elaborate lace collar. The photographer has highlighted in gold the fine jewelry each wears
$4,500
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BARNARD, GEORGE N
Photographic Views of Sherman’s Campaign, embracing scenes of the occupation of Nashville, the great battles around Chattanooga and Lookout Mountain, the campaign of Atlanta, march to the sea, and the great raid through the Carolinas. [New York: Press of Wynkoop & Hallenbeck], [1866]
FIRST EDITION. George N. Barnard’s Photographic Views of Sherman’s Campaign is, together with Alexander Gardner’s Photographic Sketch Book, one of the two greatest photographic monuments of the Civil War. Its 61 original mounted photographs include some of the most famous images of the war.
$390,000
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(GRANT, U. S.) Gutekunst, Frederick
Lt. Gen. Ulysses S. Grant. Philadelphia: Gutekunst, April or May 1865
This impressive full-length portrait of Grant in uniform was made at war’s end to capture the triumphal hero at the height of his powers. This portrait shows Grant emulating the pose of Napoleon in David’s famous Napoleon in his Study (1812), a pose favored in military portraits of the time.
$9,500
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(GRANT, U.S.) Mathew Brady
Ulysses S. Grant. Washington, c. 1865
$52,000
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(LINCOLN, ABRAHAM.) Alexander Gardner.
Portrait of Abraham Lincoln with his son Tad. Washington, February 5, 1865
Perhaps the most delightful of the Lincoln family photographs, this portrait shows an impish Tad leaning on a table as his seemingly bemused father sits on Gardner’s studio chair. Thomas “Tad” Lincoln was the youngest of the Lincoln boys.
$65,000
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(GARDNER, ALEXANDER.) Gardner, O'Sullivan, Barnard, and others
A fine collection of 7 classic Civil War photographs from Gardner’s Sketch Book. Washington: Gardner, [1865-66]
A splendid collection of Gardner prints.
$27,000
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GARDNER, ALEXANDER
Gardner’s Photographic Sketch Book of the War. Washington, D.C.: Philp and Solomons, [1865-66]
FIRST EDITION, FIRST ISSUE of the most famous photographically illustrated American book of the nineteenth century.
$275,000
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(PONTOON BRIDGE.) Photographer unidentified
Pontoon bridges across the James River at Richmond, Virginia. Richmond, 1865
This rare photograph shows two parallel pontoon bridges stretching across the James River at Richmond, Virginia, near war’s end. The Army Corps of Engineers constructed these bridges after retreating Confederate forces burned the bridges in 1865. The Dunlop Mills are seen on the other side of the river.
$2,200
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(U.S. CAPITOL.) Photographer unidentified
East Front of the Capitol. Washington, August 31, 1864
This rare photograph shows the East Front of the U.S. Capitol during construction. Sawhorses and construction debris are visible in the foreground, while a number of figures, perhaps builders and the architect, stand at the head of the main stairs beneath Thomas Crawford’s pediment of The Progress of Civilization.
$5,500
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(LINCOLN, ABRAHAM.) BRADY STUDIO
Anthony Berger. Abraham Lincoln, seated portrait.. Washington: Mathew Brady Gallery, 9 February 1864
The classic Brady $5 bill photograph. This celebrated portrait, the basis for the five-dollar bill engraving used for most of the 20th century, is one of seven poses taken by Anthony Berger at Mathew Brady’s Washington, D. C. studio on February 9, 1864. The most prolific photographer of Lincoln, Brady himself did not actually operate his cameras during the war years, instead training and employing men like Alexander Gardner and his successor Anthony Berger, who took this picture, to operate the camera.
$12,000