Early Photographs of New Zealand in a charming Victorian young lady's album with a wealth of manuscript and printed materialNEW ZEALAND ,1860s
An album of early New Zealand photographs, watercolors, manuscript verse, and ephemera assembled by Miss Flaxman. New Zealand, 1866-1870This delightful photograph and autograph album chronicles the world of young Miss Flaxman in New Zealand in the 1860s. This 1860s New Zealand album, with dozens of photographs, original watercolors, manuscript poems, and printed ephemera, is a rare survival and a valuable resource for women’s studies.
Moore, N. A. and R. A.
A collection of all six portraits of the last surviving veterans of the American Revolution. Hartford: Moore, 1864
These is a complete collection of original carte de visite photographs of all six Revolutionary War veterans still surviving in 1864: William Hutchings (aged 100), Samuel Downing (aged 102), Daniel Waldo (aged 102), Adam Link (aged 102), Alexander Millener (aka Muroney) (aged 104), and Lemuel Cook (aged 105). A seventh man, James Barham, was believed to be alive but could not be located for the series.
(WATKINS, TABER &c.)
An album of 32 photographs of the Yosemite and American West. Various places, c. 1890s
This beautiful album contains many splendid views of the scenic wonders of Yosemite. Subjects include the many magnificent falls, the Mariposa Grove of sequoias, and the great geological formations. At least two of the views in this collection were taken by Carleton Watkins. Those for which attribution to Watkins has been confirmed are singled out below, but this collection merits further investigation to identify Watkins photographs.
(PERRY, MATTHEW CALBRAITH, Commodore.) Mathew Brady Studio
Commodore Matthew C. Perry, three-quarter length portrait, in uniform, his left hand resting on his sword. New York: Mathew Brady Studio, c. 1854-58
This is the splendid Perry Family hand-colored Imperial print of Mathew Brady’s portrait of Commodore Perry. Brady coined the term “imperial’ for his large photographic portraits intended to rival mezzotints and lithographs in size.
(TWAIN, MARK, ANDREW CARNEGIE, THOMAS EDISON, et al.)
Engineers Club Inaugural Banquet Commemorative of the Opening of the New Club House on which occasion Mr. Andrew Carnegie will be the guest of honor Monday, the ninth of December 1907. [New York: Engineer's Club], 
Signed by Mark Twain, Thomas Edison, and Andrew Carnegie (who has signed twice), and others. This event commemorated the opening of the Engineers Club’s fabulous new home at 32 West 40th Street on Bryant Park in New York.
LANGENHEIM, WILLIAM AND FREDERICK
Calotype of Water Tower. Philadelphia, 1849
This important survival of American photographic history is a very early calotype of a water tower in Philadelphia. Paper photography from this era is a rarity and the image was created by two of America’s great photographic pioneers, the Langenheim brothers.
(BRODHEAD, JOHN ROMEYN.) John Mayall
Daguerreotype portrait of John Romeyn Brodhead. London: Mayall, 1848
A splendid half-plate daguerreotype of Herman Melville’s advisor and agent John Brodhead. John Romeyn Brodhead (1814-1873) was a historian and a member of the American diplomatic corps. Best remembered for his services as Herman Melville’s agent in London, Brodhead had known Melville and his family since their youth.
APOLLO 11 ,crew signed
Photograph of a television screen, split, one side with Nixon on the phone and the other with Armstrong and Aldrin on moon. No place, 1969
Signed by Nixon, Collins, Aldrin (adding “We came in peace for all mankind Apollo 11”) and Armstrong (“To Claude Harkins with best wishes Neil Armstrong”).
(VANDERBILT, CORNELIUS, “Commodore.”) Mathew Brady Studio, attrib
Cornelius Vanderbilt, vignetted standing portrait. [New York: Mathew Brady Studio, 1860s.]
Founder of the Vanderbilt business dynasty, Cornelius Vanderbilt made his fortune first in steamships and shipping and then in railroads. His career spanned the birth of the steamship and the development of the great American railroad networks. He was “the oldest and perhaps the greatest of the nineteenth-century railroad barons” (ANB). Grand Central Station and Vanderbilt University stand as testaments to his influence and wealth.
Stumbling Bear, Kiowa Chief. Fort Sill, Indian Territory, c. 1869-74
Photographer Will Soule arrived at Fort Sill in Indian Territory in late 1869 or early 1870. Fort Sill was then a military headquarters and agency for several Indian tribes, including the Kiowa. Before returning to Boston in 1874, Soule made an important series of Native American portraits, including this charismatic image of Chief Stumbling Bear.