O’SULLIVAN, TIMOTHY and WILLIAM BELL.
Photographs Showing Landscapes, Geological and other Features, of Portions of the Western Territory of the United States, obtained in connection with geographical and geological explorations and surveys west of the 100th meridian (seasons of 1871, 1872 and 1873).. Washington: War Department Corps of Engineers, 1874-75
This rare collection of 50 photographs is a monument of photography of the American West. “It is the individual nature of O’Sullivan’s production that makes him of such artistic importance today. Indeed, of all the photographers who worked on the great western surveys of this era, O’Sullivan remains the most admired, studied, and debated. It is to him, more than any of his peers, that contemporary photographers and historians first turn for inspiration and intellectual challenge” (Keith Davis, Timothy H. O’Sullivan: The King Survey Photographs, 9).
(AMERICAN WEST.) ,Watkins, Taber, Savage, and others
Magnificent Album of Mammoth Photographs of the American West, with other subjects. various, ca. 1865-1880s
This magnificent American West photograph album contains an astounding 21 mammoth photographs by leading photographers including Carleton Watkins, Charles R. Savage, and Isaiah West Taber, as well as other important photographs.
RUSSELL, ANDREW J
The Great West Illustrated in a series of photographic views across the continent, taken along the line of the Union Pacific Railroad, west from Omaha, Nebraska. New York: [by D. H. Prime] Published by Authority of the Union Pacific Railroad Company, 1869
First edition. One of the monuments of American photography, and Russell’s masterpiece, The Great West documents the construction of the Union Pacific Railroad and the land through which it ran. The 50 splendid large format albumen photographs depict scenes along the railroad, which ran from Omaha, through Wyoming and Utah, and ended in Sacramento.
BRADY, GARDNER, MORSE, DAGUERRE, RUSSELL, WATKINS &c
An extraordinary collection of 26 photographic portraits of leading photographers. Various processes, 1850s-1890s
This superb collection of photographs of photographers documents the spread of photography from its inventor Daguerre through the art’s earliest practitioners in the United States and ultimately to the great photographers of the Civil War and the American West.
(SAN FRANCISCO.) Muybridge ,Eadweard
Panorama of San Francisco from California St. Hill. San Francisco: Morse’s Gallery, 1877
“One of the supreme conceptual and technical achievements in the history of architectural photography.” – David Harris
This iconic, 7-foot long image of San Francisco is one of the landmarks of 19th-century American photography. “The photographs show the extraordinary extent of a city that had come into existence a mere thirty years before and which would be destroyed by earthquake and subsequent fires thirty years later” (Getty Museum Journal). Seamlessly combining a series of eleven photographs, Muybridge created a 360 degree view of the city, producing what Rebecca Solnit calls “an impossible sight, a vision of the city in all directions, a transformation of a circular space into a linear photograph.”
WEED, CHARLES LEANDER
The Original Big Tree, 32 feet diameter. Charles Weed, 1864
Mammoth albumen print (15 ½ x 20 in.), mounted.
Collection of Ten Photographs from Mooney’s Pioneering Investigations of the Ghost Dance and Other Native American Circle Dances. Various places, c. 1892-93
The rare and important collection documents the famous Ghost Dance and related circle dances soon after Wounded Knee. The collection testifies to the tragic demise of the Native American spiritual and cultural practices during the tumultuous Ghost Dance period. These photographs were taken by James Mooney (1861-1921), an anthropologist with the Bureau of American Ethnology. He left Washington in late 1890 to investigate the potentially incendiary Ghost Dance movement. Mooney’s rare portrait of Wovoka is one highlight of the collection. Mooney’s Ghost Dance photographs are of the greatest rarity in the market. We can trace no others having appeared for sale.
CURTIS, EDWARD S
Dog Woman – Cheyenne (plate no. 668, Vol. 19). Curtis, c. 1930
This stunning glass photograph, Dog Woman – Cheyenne (plate no. 668), was prepared for the printing of Curtis’s The North American Indian. The glass interpositive is a rare survival used for publication of Curtis’s monumental work.
“Take a good look. We’re not going to see this kind of thing much longer. It already belongs to the past.” – George Bird Grinnell to Edward CurtisCURTIS ,EDWARD S.
Original glass plate photograph, Hopi Woman, prepared by Curtis for the printing of The North American Indian.. This portrait, titled Hopi Woman, was published as a photogravure in The North American Indian, volume 12, plate 411.,
This is a splendid original glass plate made for Curtis’s The North American Indian, the greatest photographic work on Native Americans.